#Losslessly converting from yv16 to YUY2 (4:2:2 planar to 4:2:2 interleave) #Converting from RGB to yv16, keeping BT601 #Converting from yv12 to RGB, keeping BT601 #Cropping out inactive lines of your SD source (overscan)
Tdeint(mode=1, order=-1, field=-1, mthreshL=6, mthreshC=6, map=0, type=2, debug=false, mtnmode=1, sharp=true, cthresh=6, blockx=16, blocky=16, chroma=true, MI=64, tryWeave=true, link=1, denoise=true, slow=2, opt=4) #Bob-deinterlace 25i to 50fps progressive Video=FFVideoSource("tdk vhsc-sample.avi")Īudiook=FFAudioSource("tdk vhsc-sample.avi")Īudio=MergeChannels(audiook, audiook, audiook, audiook)
Avisynth resize full#
Please note that this is just a draft and I'm at work, so I have been forced to output an interlaced FULL HD XDCAM file with 8 PCM mono audio tracks out of your source, but this should give you an idea of what can be done with very little time: Unfortunately, there isn't much detail on your source, but there's dynamic noise and a bit of grain as well, so it really comes down to what you wanna do in this case: taking care of it at the expense of the details (not that there are many anyway) or leaving it as it is and accepting dynamic noise and grain in your source. There's no way to bring that wall back as the values are out of range, but even trying to bring it back to legal range, there's no detail anymore as it's been clipped out in the original source (you can see that by taking a look at the waveform).Īs to the chroma, there's some work to do, but thankfully StainlessS made a very good filter that has become a "must use" whenever you wanna restore old sources: GamMac. There's also no significant issues with the interlace: it's just a truly interlaced footage which can be bobbed to 50fps progressive without issues, except for the aliasing that it's created, which is annoying, but we can take care of that.Īs to the luma, the footage itself is overshoot, which basically means that luma is out of range as you can see here: On a positive side, there are no spots or scratches in your recording, which is good 'cause doing despot and de-scratch doesn't always fix each and every one of them. I'm at work and I had very limited time and resources to play with your sample and I can only encode an XDCAM file as output (sadly), but would something like this be enough for you?
Avisynth resize how to#
Should I still searching for another solution to achive better quality?ĭo you have any suggestion how to mix together all the above mentioned to get outstanding result? Unfortunately I had to realise what I could do 5 years ago I do not understand at this time.ĭid anyone try to use this script to enhance VHS digit?
Avisynth resize mod#
The latest script was modded even for image processing not for movie, that I am confused how to mod it back. There were an other search result: the most complex one ( VHS restore script review)ĭue to the complexity it was not tested yet.Īlso I was thinking to use the latest script from restoring old 8mm films thread Return lastWith this I failed because too much plugins are missing (Santiag, EdgeCleaner, SmoothUV, gradfun3,grainfactor圓). QTGMC(preset="medium",FPSDivisor=2,ChromaMotion=true,ChromaNoise=true,DenoiseMC=true,GrainRestore=0.6,border=true,ShutterBlur=1, ShutterAngleSrc=30, ShutterAngleOut=360)ĬonvertToRGB32(interlaced=false,matrix="Rec601") SeparateFields().HQDering().FixChromaBleeding().Weave()
Code: AVISource("D:\wedding\tdk vhsc.avi")